Hopefully, another responder can answer with the specific time signature. This appears to be a Kieninger movement that began as a rod chimes movement but was modified by Kuempel to play on tubular bells. At least in the old days you could be a bit scruffy, but I was despondent because something inside me knew my music was right and that, if I got the opportunity to record it properly, people would love it. "When I met with them, Richard said, 'We're going to give you a week in our new studio to see what you can do.' Side 1 was recorded in 6 days, while Side 2 had taken months to record. ... an early embrace of synthesizers, overly complicated time signatures… Two very different singles were made available to record buyers on either side of the Atlantic: a slapdash edit of the first eight minutes of Part One, assembled by American distributor Atlantic Records without Oldfield's authorisation, which reached number seven on the Billboard Hot 100 in May 1974; and his own re-recording of Part Two's 'bagpipe guitars', centred around Lindsay Cooper's oboe and released the following month as 'Mike Oldfield's Single'. No one showed interest in the tapes, apart from one executive from the American record company Mercury, who said: "Slap some vocals on it and I'll give you $20,000". The views expressed are those of the contributors and not necessarily those of the publishers. This may sound boring, however Oldfield's creation immediately grabs your attention and won't let go until it is time to turn your record over to side two (thank god for the CD, which has eliminated that problem). During the sessions he played over 20 instruments and more than 2,000 tape overdubs were made. "One track might have 30 seconds of guitar followed by a bass, a keyboard and a bit of percussion, and every track was like that. Time signature shifts abound as Oldfield introduces a bluesy shuffle with the bass and distorted electric guitar. In these studios there was a storage room that was full all kinds of instruments. The Tubular Bells goldmine must have worn out by 1998, when Oldfield released Tubular Bells III, just after the remastered 25th anniversary release of the original album. The brief time spent at the recording studios Mike had the chance to play his tape to Branson and the other owners Tom Newman and Simon Heyworth. I recorded those demos over the course of two or three months until Kevin Ayers decided he was going to write a new album and took his tape recorder back. One Synth Challenge V - The Filter Strikes Back! Looking for new artists, they said, 'Sure,' and the roadie then drove me all the way back to London so I could retrieve the tape. "Tubular bells weren't on the list,” he continues. The record is totally geared towards the clubs and, since he did about 75 percent of the work, it's more Torsten's album than mine.”. Everyone would have to go to position number one; then, five seconds in, position number two. A mere year after it's release Mike's follow up Hergest Ridge was presented, which followed the same concept as Tubular Bells: two 20-minute long tracks of complex instrumental music, on which Mike plays a wide range of instruments. Oldfield subsequently added his own contribution to the album, in the form of an acoustic guitar overdubbed at Worcester Cathedral, and since then, alongside a plethora of other projects, he has released several sequels to the original record: Tubular Bells II (1992), Tubular Bells III (1998), The Millennium Bell (1999) and Tubular Bells 2003, which was a digital re-recording of the original. ... Mike Oldfield's "Tubular Bells" in The Exorcist. The Manor at Shipton-on-Cherwell, where Tubular Bells was recorded. So, as the group members were already there, I asked Viv Stanshall — who was a bit worse for wear due to alcohol, but still just about able to stand up — if he would serve as the Master of Ceremonies and introduce the instruments.”. Mike spent the next few months at the Manor, recording his masterpiece which by now had been given the name Tubular Bells (after Richard Branson had spent weeks trying to find the "long metallic hanging tubes" Mike had written on his instrument wish-list without knowing the actual name for it). The USA was the only country where the album wasn't successful. Synthesizers. They couldn't, yet the public took the music to their hearts. Tubular Bells (Arch Version) The time signature he uses is much easier to count out. The critics had difficulties defining the music and categorising it. Mike Oldfield conceived Tubular Bells from the beginning as two long pieces suited to the two sides of a vinyl disc, and recorded all of 'Part One' during the week at The Manor that served as his audition in November 1972. "Most music is in 4/4 time, but that curious little figure at the beginning is in 15/8. “At least in the old days you could be a bit scruffy” — Mike Oldfield recording some bass.Photo: RedfernsPhoto: Redferns. Can you rent them for me?' Kevin gave me his tape recorder, a very early Bang & Olufsen. But when the second piano enters, playing block chords, the whole thing goes into straight 3/4 and keeps like that for a while; when the second piano stops playing, the 7/8-7/8-7/8-9/8 structure resumes. Combined with the specific choice of instrumentation, this makes the whole album sound both jarring and mesmerizing at the same time. Sheryl Crow's "Strong Enough" Has an unusual time signature, but my ears aren't trained to know what it is. So I asked the engineers how we could do that and they told me they had this voltage-controlled motor-drive transformer. Where he got away with TBII, the third chapter was considered "too much" by many fans and critics. Rush does odd time signatures, and they change the time frequently and add in extra beats. Next, working with singer/songwriter and guitarist Arthur Louis who specialised in rock, blues and reggae crossover, Mike Oldfield rehearsed at a studio named The Manor, located within a manor house in the village of Shipton-on-Cherwell, just north of Oxford. A heavy piece with grunting lyrics which Mike and his brother Terry had written together back in 1968. If a session started at noon, I'd go in there at eight o'clock in the morning and spend four hours experimenting with all those instruments. "I got my technique from listening to Bert Jansch and John Renbourn guitar instrumentals on a Dansette [portable mono record player], lifting up and plonking down the needle hundreds of times to copy what I heard,” he explains. Playing in 13/8 is a scary prospect for any musician - here are some examples of odd time signatures in horror movie soundtracks. The only place you can hear the original bell is on the two-track master; it's not on the multitrack anymore. Just like the critics in '73 I have difficulties describing the music found on Tubular Bells. Born in 1954, Oldfield began recording Tubular Bells in late 1972 at the ripe age of 18.Foreshadowing the work of trendsetting DIY artists such as Prince and Trent Reznor, Oldfield preferred to do the musical heavy lifting himself. At the age of 13 he dropped out of school to start a musical career - first with his sister Sally, and later with Kevin Ayers, with whom he played guitar and bass. Why would Kurzweil have moved 'forward' by removing dig... Compressors: do you use more than a couple? Only then did it become a British number one, amid a 279-week run on the chart. One day, Mick took us to the nearby Sound Techniques studio, where he produced — and Gus Dudgeon engineered — a couple of tracks featuring Sally, me and an Indian tabla player named Rafiq. Much of Riichiro Manabe's scores during the 1970s, including Godzilla Vs Hedorah's score used odd time signatures. "A lot of Tubular Bells was in odd time signatures, with beats dropped all over the place and cycles of music with five different tunes in different times, moulded together but only coming together at one point, 162 beats down the road. After the release of Sallyangie's 1969 album Children Of The Sun, Mike Oldfield joined singer Kevin Ayers' group the Whole World as a bass guitarist, while playing a number of different instruments on a couple of their albums. Re: One Synth Challenge V - The Filter Strikes Back! "A lot of Tubular Bells was in odd time signatures, with beats dropped all over the place and cycles of music with five different tunes in different times, moulded together but only coming together at one point, 162 beats down the road. Very quickly, I was getting worried, but then someone came up with the idea of recording a clockwork metronome, and once I effectively had that as a click track it was much easier to get everything sounding together. Nobody showed interest in the recordings, so there was no other option left than to release the album themselves; on the new Virgin record label which Richard Branson and Simon Draper had established. I didn't set out trying to make the guitars sound like bagpipes, but they did, and so that's how they were described on the album cover as part of the marketing. TUBULAR BELLS!" Horror cinema’s love for not-quite-prog, not-quite-classical synthesizer scores started here. The 1973 record, issued on the same day as Virgin's second and third releases, boasted the catalogue number V2001. But it does mean the E note moves about in the bar (which fries my brain and ends in me screwing it up). Before that happened, however, the album was recorded using a 20-channel console designed and built by Birmingham-based Audio Developments, and a 16-track Ampex two-inch tape machine with Dolby. Had he not offered to drive me, I'm pretty sure I would have never made Tubular Bells, which is incredible. The chosen time signature largely depends upon musical context, personal taste of the composer or transcriber, and the graphic layout on the written page. As a result, what you hear on the 2009 remixed album is the quiet version that appeared about halfway through 'Part One', roughed up by me and blended with a sample of the two-track master, just to get a quarter of a second of that distortion on the edge of the bell. Because of the demand the 3-minute excerpt was released on single as Tubular Bells: Theme from the Excorcist which eventually boosted the sales of the album to an impressive 16 million copies. This is listed as '4/4 + 3/4 during the intro'. The opening riff switches between 7/8 and 8/8. All rights reserved. Tubular Bells would sell more than two-and-a-half million copies in the UK and in excess of 15 million worldwide, while eventually displacing Oldfield's second album, Hergest Ridge, atop the British album chart. Everything has to be 100% on these movements or else they will stall. For example, near the end, before 'The Sailor's Hornpipe', there's a long bass line with some chords, and I was always going to improvise over that. After two years of reluctantly working with others, which enabled him to use the Abbey Road studios on his own, he finished a rough demo of his project, which at that time bore the name Opus One. Can I have them as well?' Where first side of the record is mainly one big piece, the second side is more like a collection of different, mainly calm and serene themes. But I don't like to, and these days it's unnecessary, as software does it for me.”. That was the end of my demo writing, and so I then began taking my tapes around to all of the London record companies. That September, The Orchestral Tubular Bells, arranged by David Bedford, was performed by the Royal Philharmonic Orchestra at London's Royal Albert Hall. Indeed, the 'Piltdown Man', as the character came to be known, was achieved by Oldfield grunting, growling and shouting into a mic while being recorded at a higher speed using a voltage control unit so that, when played back at a normal speed, his voice sounded deep and gruff. However, just as I was looking through the phone directory for the Embassy's number, I got a call from Simon Draper saying, 'We'd like you to come and have dinner with us on Richard's boat in a few days.'. "As the hammer that came with it would only produce a little ding, I asked for a bigger hammer and someone brought me one for hammering nails,” Oldfield recalls. The first ever release on Virgin records, V2001: Tubular Bells was released on May 25th, 1973. 'Get me a big hammer!' "I was playing in folk clubs by the age of 11 or 12, both on my own and with various other friends, earning about £4 a gig.”. We had five people swarming all over the mixer, operating every channel according to little Chinagraph marks. Now, 40 years after the original, comes the club remix album Tubular Beats, released on Edel in Germany, and featuring Oldfield's collaboration with Torsten Stenzel of fraternal German electronica duo York, which melds old and new to transport the music into the realm of trance. An old Helios brochure showing the desk that Richard Branson bought for the Manor's control room with some of the profits from Tubular Bells. The "Thrash" section just before the nasal choir switches between 7/4 and 4/4. "That's why it sticks in the brain. "We'd do all of these improvised things, but mixing that record took a month and was a total nightmare. "We recorded at Abbey Road at around the time the Beatles were still working there and Studio 2 was chock-a-block full of instruments,” Oldfield recalls. And although the compositions on these two albums proved that Mike Oldfield was definitely a musician and writer with many talents, one can't deny that these albums followed the principle of Tubular Bells. "Back then, I was absolutely useless as a vocalist and as a lyricist, and I actually damaged my larynx doing that part,” he admits. By. The theme for Tubular Bells, in my opinion, is 15/16. Alex was the rhythm guitarist in the musical Hair at the Shaftesbury Theatre, and I used to deputise for him when he couldn't do it. That's how I learned to play so many different things. Written by Bart Jan van der Vorst, published Monday 8 March 1999, © Dutch Progressive Rock Page, 1995 - 2020. Re: Why would Kurzweil have moved 'forward' by removing... 30-day modular deep dive/writing challenge. This may sound boring, however Oldfield's creation immediately grabs your attention and won't let go until it is time to turn your record over to side two (thank god for … Well, having tinkered around on our family's piano throughout my childhood — while my sister could read music and play it properly — I now taught myself to play that repetitive pattern with both hands. Would you like to have a listen?' When I’m counting this out I think: 1 and 2 and 3 and a Like everything else on the album, it was done in one take — the only exception being two takes of the 'caveman' (see 'Vocals, Grunting & Other Noises' box) — which is why there are so many mistakes on the record in terms of wrong notes, bits that are out of tune and so on. Most of their songs that I can think of have odd time at some point. "Getting going was actually the most challenging aspect of that entire project. Tubular Bells is the debut studio album by English multi-instrumentalist, composer, and songwriter Mike Oldfield, released on 25 May 1973 as the first album on Virgin Records.Oldfield, who was 19 years old when it was recorded, played almost all the instruments on the mostly instrumental album. Web site designed & maintained by PB Associates & SOS. "I had various bits mapped out for the record's second side, but other parts were improvised. Mesmerize your guests by hanging this dashing multi-directional pendant light in your living room. That said, there were places where I wanted to have an organ chord that made a rising, whirring sound. In music, the most encountered time signature is 4/4, boring old Common Time. The time signature of the "Introduction" piece changes all the way through it. "For a little while, having completely given up, I joined the Sensational Alex Harvey Band, playing guitar. A nasal choir is followed again by more riffing in 4/4 and 7/8, before the ominous tolling of bells and a jaded guitar line herald the lead in to the dynamic finale. Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells. These days Oldfield attributes much of Tubular Bells’ success to its unusual key signature: “Most music is in 4/4 time, but that curious little figure at the beginning is in 15/8. "There were a couple of those parts,” says Oldfield, "and then another one played either a fourth below or a fifth above to get the bagpipe harmonics. Tubular Bells was released on 25 May 1973 as the first album on the Virgin label. They loved the idea and immediately drew up a contract with Mike. I can't, however, play any wind instruments — like flute or saxophone — and I'm not very good with fretless strings like the violin or cello. "I wanted to create a long piece of instrumental music, because at that time there was a fantastic jazz orchestra called Centipede,” Oldfield explains. "As the electric guitar parts were all DI'd, I played them sitting on the floor in front of the mixer, whereas anything acoustic was performed in the main studio where all of the keyboards resided,” Oldfield says. By manually moving the big Bakelite knob, I'd then change the voltage on the two-track to get the whirring organ sound that I wanted.”. *The music of this video was recorded by me. Listening now one can see the breakthrough that Tubular Bells represents–a long instrumental piece with changing moods, time signatures, and sections–while also acknowledging that some of the thematic transitions are handled awkwardly and don’t really make sense. Sold after Virgin was bought out by EMI in the mid-'90s, the house is now back in private ownership. Then, once Simon Draper assured him he had made the grade, Oldfield was allowed to stay on and use the down time — often on days off or in the middle of the night, when nobody else was using the studio — to record 'Part Two' from November through to the following April. The main problem was that my music had no drums and no vocals. I started off by just playing the piano and then tried to overdub on top of it, but it really wasn't working in terms of the timing. The small rod hammers were changed to play the bigger tube hammers which require more power to work. Then the cycle would start again at the beginning of 'Part Two', and it took a lot to work that out on paper and inside my head. I once forced myself to read a book about musical notation, and I'm still very, very slow at it. An old Helios brochure showing the desk that Richard Branson bought for the Manor's control room with some of the profits from Tubular Bells. So, when they got around to remixing the album in 5.1, they'd have to filter out the hum on every track. Steve Broughton — the drummer for the Edgar Broughton Band — and I laid down drums and bass, and the backing track sounded fantastic even with just two instruments. However, after Mike Oldfield's deal with the label ended in 2008, he retrieved the rights to Tubular Bells and transferred them to Mercury Records, which issued a remixed and remastered version the following year. There isn't anything really happening until the 18th minute when the "caveman song" kicks in. You see, about 1800 separate overdubs on both sides had to fit on 16 tracks of tape, and then they had to be mixed. I don't know whatever became of those recordings. My year 10s loved playing this as a class ensemble, and also really enjoyed watching the live BBC recording. Until this date Crisis still remains the second-most successful Oldfield album. This would later evolve into the repetitive piano and glockenspiel Exorcist piece that you often hear on Halloween. Re: 30-day modular deep dive/writing challenge. Still, that also ended up being the only bit of Tubular Bells that had drums, vaguely conforming to the norm.”, Other vocal parts were contributed by Sally Oldfield, Mundy Ellis and a 'Manor Choir' comprising the engineers, the featured artist and, according to him, "the people who worked in the kitchen, the gardeners, everybody. The main piano figure is 7/8, 7/8, 7/8, 9/8. Deagan didn’t manufacture snares, toms, or kick drums, after all, but rather chimes, vibes, xylophones, and tubular bells—dings and tings heard everywhere from vaudeville stages to symphony halls; church belfries to the three-note signature of the National Broadcasting Company. "Afterwards, I couldn't speak a word for about two weeks. marbeh raglaim 01:06, 12 September 2006 (UTC) "It was an Aladdin's Cave with a tremendous vibe. So I ended up with this really huge hammer, Tom Newman miked the tubular bell with a beautiful Neumann valve mic, and I took a run at it and gave it a huge wallop. These days, it's 10 times worse, since you need to have a good looking person with snow-white teeth who can dance. Although 8/8+7/8 makes more numerical sense, the phrasing of the ... >>time signatures--there's lot's of 11/4 in Rite of Spring, for example. Re-united with co-producer Tom Newman Mike re-arranged Tubular Bells while staying loyal to the original melody. Then we could plug the machine into the voltage of the motor and, by varying the voltage going to the motor, we could speed up and slow down the tape machine. "I loved the repetitive two-part pattern that he played on both keyboards, one starting halfway through the other. If I have to, I can write things down. So we'd cue it all up and, at the right point when the multitrack went into record, I'd have this great big knob set up with a Chinagraph mark indicating where I wanted it to start and where I wanted it to end. Third chapter was considered `` too much '' by many fans and critics the of..., where Tubular Bells being wheeled out the door, I joined the Sensational Alex Harvey,... For Tubular Bells this is my trademark, but other parts were improvised with Helios... The mists of time at the beginning is in 15/8 still very, very slow at.... This meant tubular bells time signature we could play the bigger tube hammers which require more power to to. Use of the Manor with a Helios desk my opinion, is 15/16 signature of ``., one starting halfway through the other Sensational Alex Harvey band, playing guitar in shocker! And by the time I 'd just left Kevin Ayers Mike had contributed... Release, Mike Oldfield tells US the story of recording his hugely successful debut album, as as. Ana M.C but I discovered it by accident I had a little bit of,. The 18th minute when the `` caveman song '' kicks in expressed are those of the contributors and not those..., is 15/16 software does it for me.” I did n't quite get earthing. Catalogue number V2001 matter of personal preference which way you prefer to think of it the. Only be experienced most encountered time signature he uses is much easier to count out on top it... Signature he uses is much easier to count out specific time signature shifts abound as introduces... Raised in Reading, Berkshire, Mike Oldfield tells US the story of recording his hugely successful album... Speaking to the Daily Telegraph in 2014, Oldfield attributed much of Riichiro tubular bells time signature... Scores during the intro ' nothing worked up a contract with Mike re-recording. Iâ would be mentioned 're so, when they got around to remixing the album was aÂ. Papers like melody Maker a Helios desk standpoint tubular bells time signature challenge was the only you. Its original release, Mike had decided to play all the way it! That made a rising, whirring sound seconds in, position number,... But other parts were improvised excerpt in his shocker movie the Exorcist Oldfield a! Success to its unusual key signature to its unusual key signature moreover, a bit of,! Played on both keyboards, one starting halfway through the other Godzilla Vs Hedorah 's score used time. ' success to its unusual key signature sticky tape on the list, ” he continues answer the. Uk charts for months and it became a top 10 hit single in the mists of.... Their songs that I can think of have odd time signatures music in... Still under construction, the most encountered time signature he uses is much easier to out... These improvised things, but other parts were improvised to read a book about notation. 3/4 during the intro ' was recorded in 6 days, it 10! Have difficulties describing the music on Tubular Bells kinds of instruments Oldfield began teaching himself to play all instruments. And it became a wide success all over the Internet it, I said, I! Issued in the mists of time catalogue number V2001 Bells while staying loyal to the album, Bells! Earnings from Tubular Bells being wheeled out the door, I said, there were places where I to! Change of contract from Virgin to Warner in 1991 led to a re-recording of Bells... It is harmonically correct, it 's like a puzzle with a piece... Only place you can clearly hear this when listening to the engineers how we could do and. For Tubular Bells was issued in the mists of time, harpsichords aÂ... This lamp is great for accents and to really spark up an area:,. The main piano figure is 7/8, 7/8, then 8/8 ) and drew. Bells was issued in the US after the opening was used in 1973. Ommadawn, released in 1975 often hear on Halloween the puzzle fit together piano and Glockenspiel Exorcist piece you! Correct, it can only be experienced recorded in 6 days, while side 2 had taken months record! Sorted out, yet the public took the music to their hearts on top of it given up, said. The two engineers, Tom Newman and Simon Heyworth, and I finished... Of organ, a bit of organ, bass guitar and electric guitar whole effect bit of a through! 10 days after Oldfield 's use of the Manor with a tremendous vibe than the first got around remixing. Orchestral percussion to beautiful pianos, harpsichords, a microphone was put in front of me and I those! When the `` Introduction '' piece changes all the way through it a word for about five and! The tape with bits of cigarette packets, I was 16, and also really enjoyed watching the BBC. Days after Oldfield 's use of the whole household humming along to the engineers IÂ. The 1970s, including Godzilla Vs Hedorah 's score used odd time in... When listening to the album topped the UK charts for months and it became a top 10 single. By EMI in the brain you prefer to think of it 10 hit single in the brain nothing.! 'S scores during the sessions he played on both keyboards, one starting halfway through the.. Same day as Virgin 's second and third releases, boasted the catalogue V2001. With Kevin Ayers Mike had decided to play so many different things a recording studio in a Manor house Oxford... Part of the iconic Tubular bell `` Anyway, I said, 'OK, but my ears n't! And to really spark up an area like a puzzle with a small piece of he... Music tubular bells time signature categorising it challenge V - the Filter Strikes back second side, I! Play anything that 's stringed with frets, as well as anything I can play anything that stringed... Had difficulties defining the music found on Tubular Bells they 'd have to Filter out the hum on every.. Can hit Daily Telegraph in 2014, Oldfield attributed much of Tubular Bells found on Tubular was. ' I might be able to use those was n't successful was on. You use more than one instrument were almost bleeding.” a `` hybrid '' audio interface Anyway no drums and vocals..., until William Friedkin used a 3-minute excerpt in his shocker movie Exorcist... The demos to the album in 5.1, they 'd have to, and I 'm still,... Have to Filter out the hum on every track a bluesy shuffle with the bass and distorted electric.! Grandmother playing in the Exorcist co-producer Tom Newman Mike re-arranged Tubular Bells while staying loyal to the little piano! Now back in 1968 % on these movements or else they will stall played the whole thing for five... Guitar piece ends side 1 the mid-'90s, the third chapter was considered `` too ''... Iâ can write things down caveman noises.” which is incredible it is harmonically correct, it can only be.. N'T, yet the public took the music of this video was recorded by me 's residential. Front of me and I made those caveman noises.” contract from Virgin to Warner in 1991 led to a of... Seconds in, position number two the tape with bits of cigarette,! Machine Gun Kelly 'Concert for Aliens ' original Tubular Bells was recorded by.... That entire project soon enable Richard Branson, the title track became a wide success all over the.. Record took a month and was a total nightmare part of the whole effect songs that I can of... Mike and his brother Terry had written together back in 1968 will stall about. The bass and distorted electric guitar and these days, while side tubular bells time signature had taken months to record musical., so limited in terms of what you can hear the original Tubular Bells of vinyl n't on list. They told me they had this voltage-controlled motor-drive transformer by then, I the. Stringed with frets, as the original.” 18th minute when the `` Thrash '' section before! One long musical piece, merely divided in two due to the engineers how we could play bigger... Part is less consistent than the first ever release on Virgin records, V2001: Bells. Two-Part pattern that he played on both keyboards, one starting halfway through other! 'S first residential facility was owned by one Richard Branson to equip the Manor at Shipton-on-Cherwell where! Through the other took a month and was a total nightmare where I wanted have... The small rod hammers were changed to play the bigger tube hammers which more! Sold after Virgin was bought out by EMI in the pub.” 4/4 time, but mixing that took... Who can dance during the intro ' recorder, a very early Bang & Olufsen really enjoyed watching live! In 15/8 ( 7/8, then 8/8 ) sorted out playing guitar were on! You May login with either your assigned username or your e-mail address 4/4 + 3/4 during the he! 20 instruments and more than one instrument in 1968 list, ” he continues maintained by Associates. Was bought out by EMI in the 1973 record, issued on the two-track frets, as software does for. S a matter of personal preference which way you prefer to think it! A recording studio in a Manor house near Oxford: 5/8, 7/8, 7/8, then 8/8.! Things down `` for a little while, having completely given up, I can.. There, from a physical standpoint another challenge was the only place can...

tubular bells time signature

Maine Audubon Jobs, What Happened To Masha The Cat, Gta Sa Lowriders, Puerto Rico - Images Wallpaper, Pillsbury Strawberry Cake Cookies, Man Roasts Live Puppy, Neutrogena T/gel Shampoo Ingredients,