While the A7R III is a hybrid camera for the masses, the GH5S is like a pro video camera in a hybrid form factor. On the other hand, the GH5S’ great image quality and easy-to-use interface have earned its praise from filmmakers with more controlled lighting conditions, making the camera a solid option for those folks looking for a reliable Micro 4/3 camera system with some excellent low light capabilities. Panasonic GH5 Real World Autofocus and Low Light Test (Kind of) Tweet. I do love the NX1 still after all these years. Panasonic says users can get up to ISO 51200 native with minimal noise, and up to ISO 204800 when extended ISO is use GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. Dual Pixel or 4D Phase-Detect AF would have been first on my list with the video-orientated model. You are getting a 400Mbit/s ALL-I codec on the GH5 and GH5S, but does it make a HUGE difference here? But what especially surprised me was how many usable shots I was getting at ISO 6,400 and 12,800. I wish Panasonic would have added a few more features to the GH5S to distinguish between it and the GH5 out of the box, rather than just the new sensor, V-LOG and timecode in/out port. When viewed on a large monitor, it appears the GH5s begins to fall apart at ISO 6400. But for people who often shoot in poorly lit environments, the GH5S is an upgrade that you’d be crazy not to consider. Unfortunately, we couldn’t actually test the claims Panasonic made of it’s new GH5S until recently. At least 19mm I believe. And I’m just scratching the surface of what the GH5S can really do. Low-light sensitivity, that is. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. The Nikon D850 is surprisingly a lot noisier than the A7R III despite having a very similarly specced sensor. The low-light footage shot at ISO 6,400 has noticeably less chroma noise than that from the Sony camera. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. Senior reporter at Gizmodo, formerly Tom's Guide and Laptop Mag. Looks like Phillip Bloom did a low light comparison GH5s vs A7r3 (s35 crop). Better Low Light Performance As alluded to above, one of the most significant advantages with the new Panasonic GH5s is it’s low light capabilities. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. I have a secret project planned for this camera and I am going to enjoy doing that, first though, I wanted to see if the GH5S fulfils pretty much it’s only obligation – the first ever Micro Four Thirds camera that is clean in extremely low light? Even ISO 3200 is so clean it is practically a Green party politician. Small thing, but something I quite like. Take your pick – higher resolution stills and 5 axis IBIS will satisfy most people on the GH5 – but the low light and larger sensor on the GH5S are irresistible for filmmakers. If your photo subject moves around a whole lot you might want to skip this camera. Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5. Hard to say. The NX1 only at ISO 6400 as that is the maximum for the camera. The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. What the Panasonic GH5S and Sony A7R III both have in common is that they are MUCH cleaner in Hybrid Log Gamma mode at ISO 12,800 overexposed by 1-2 stops, rather than shot in plain old Rec.709 standard color at ISO 6400. Panasonic has also included its Dual Native ISO Technology to reduce the risk of background image noise in low-light conditions. Was an archery instructor and a penguin trainer before that. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. Panasonic recently launched the new LUMIX GH5S camera, which is said to be the successor to the previous LUMIX GH5. It outperformed the full frame Sony A7R II easily in the split-screen at the same ISOs. Low light performance and better colour is a big focus of the GH5S. This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. This is something Panasonic should be making a bigger deal about and it means with a Metabones Speed Booster XL you are now getting a full frame 1.1x view of your Canon lenses… at least horizontally. Does dual native ISO on the Panasonic S5 beat the Sony A7S III in low light? Both images from 16000ISO on would rather not be used for cinema projection. On the other hand, the GH5S’ great image quality and easy-to-use interface have earned its praise from filmmakers with more controlled lighting conditions, making the camera a solid option for those folks looking for a reliable Micro 4/3 camera system with some excellent low light capabilities. August 2, 2017 by Hugh Brownstone. Every digital camera has a native ISO where it operates optimally. Camera maven Philip Bloom took the cameras to the street to settle the "low-light king" debate once and for all, bringing along a Sony a7R III, Sony a7S II, and Panasonic GH5s for his low-light test. One advantage to going this route is the GH5s would do much better in low light--which will be a factor for some of the B-Roll. The vertical sensor real-estate is less, especially in the narrower Cinema 4K aspect ratio of 1.78:1. To get this higher sensitivity, the camera’s sensor has a sensitivity switching circuit for each pixel. That's a result of the larger pixels and dual ISO on the 4K-optimized sensor. Back at CES, Panasonic announced a camera which is designed primarily to do one thing above all else: get the best possible low-light pictures and videos. On top of that trade off, the GH5S features Panasonic’s dual-native ISO. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. The GH5 isn’t hard to best in low-light, so let’s bring out a more competent challenger. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. There is an obvious nonlinearity in the numbers. Technically, any camera can take a picture in complete darkness. Physical ... With this technology the model shall be predestinated for video shooting in low light and high dynamic range situations. Of particular note it how easy you should be able to shoot in V-LOG, for better editing later on, and with in-camera anamorphic lens correction. They all seem to quote the sensor size as 17.3mm wide (same as the GH5) but this is for STILLS mode in 4:3 aspect ratio. The 10bit codec makes for a solid V-LOG-L and the low light performance is a definite step up from the GH5 though, highly noticeable at anything past ISO 800. The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition? Priced to fail and shackled to Adobe – The Zeiss ZX1. The weak point is autofocus. One native ISO is set at 400, for use in well-lit environments, which then adjusts anywhere between ISO 160 and ISO 800. I’m reserving that for another article and test though. The GH5s has no problem filming low light video at 3200. Sony A7R3 users – THROW AWAY YOUR CANON LENSES! Hybrid Log Gamma is a nice user-friendly profile for grading and compatibility with HDR displays & YouTube. 10.2Mp Micro Four Thirds compact system or mirrorless system camera that’s designed with videographers in mind It’s only once you push past than into ‘special use’ one off mega high ISOs that you see it’s worth. Apple M1 crushes Intel – beats $6000 Mac Pro 2019 and 10 core Intel i9 MacBook Pro 16″, Down the rabbit hole – View the YouTube front page as others do, Shooter's Guides / LUTs / Colour Profiles. I recently took delivery of a Panasonic GH5S. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. While its Micro Four Thirds sensor’s 10.28 megapixels might seem underwhelming on paper, each of the pixels is physically large in order to capture … Sounds complicated? So much so that when pushed all the way to the new maximum of 51,200 ISO, the Panasonic GH5Shas an image that appears cleaner than the previous Panasonic GH5max of 12,800 ISO. liberty aint what you think. Today we figure out how high you can actually take your ISO without losing color information and detail. The 3.2-inch LCD monitor (1,620k-dot approx.) As a camera that excels at shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the increased sensitivity and optimised tuning of … Harv’s review of EOSHD Pro Color V3 and a handy exposure guide, Nikon facing serious crisis in chipmaking – as well as camera business, Pro camcorder ergonomics are overdue a big change. This eliminates the thud thud thud as you move the camera whilst it’s off, the sensor block stays put. provides a crisp live view and high visibility even in sunny shooting conditions. As you can see, the details of the scene really started to reveal themselves at the high ISO levels. That said, for most people, the standard GH5 is likely a better buy, and I would like to spend some more time doing a real shoot off between it and something like Sony’s A7S II to figure out which camera really reigns supreme in low-light. The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. Quick Conclusion. To achieve these rather impressive specifications (for a Micro Four Thirds camera), the camera uses a combination of a low megapixel count and Dual Native ISO, a technology Panasonic has already employed on a few professional camcorders (Varicam35 and AU-EVA1). Quick Conclusion. The mighty A7S II low light camera model barely displays any advantage at ISO 12,800 and can’t do Super 35mm mode in 4K due to the low megapixel count. GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. Best Telephoto Prime Lenses for Panasonic GH5S. 0. That might not make a big difference to pro shooters who will keep the camera attached to a tripod or gimbal, but it does impact handheld shooting. The GH5s offers a normal range of 160 to 51200 ISO with extended values down to 80 and up to 204 800 ISO. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. The noise reduction on the Sony is as good in full frame 4K as it is in Super 35mm mode (which benefits from 5K oversampling). ISO 12,800 is perfectly usable now. There is an obvious nonlinearity in the numbers. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. It has a bright red record button that was a departure from the GH5, and its a lot lighter. The further you move from that ISO the noisier the image gets. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. Panasonic GH5S and GH5 side-by-side So I thought: before we put it up against the a7S II, I have to put it up against the original GH5. Now to ISO sensitivity. The colour rendering on the Nikon was very natural however… Some might prefer it’s muted tones for a smooth and realistic look to nighttime shots in the standard colour mode. That’s because it’s missing the GH5's in-body camera stabilization. Panasonic Leica 200mm f/2.8 ($2,997): This Panasonic Leica 200mm f/2.8 is a big 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling.With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. Panasonic claims it’s just as adept at capturing low-light video too. It is a dual native ISO sensor in the GH5S and it shows. Although you wouldn’t realise it from reading the specs online! Sony FX6 is here, but will you still have a job to go with it? “The LUMIX GH5S achieves highest-ever image sensitivity and video image quality in the history of LUMIX cameras, especially in low-light situations,” the company says. Yes, a full frame sensor helps but that is a HUGE difference in how many megapixels are crammed in. Panasonic GH5S vs Panasonic GH4 Comparison of Available Lenses Which camera has more lenses? 6400 ISO. This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. How did Sony manage it? The vignette of some of these lenses, especially wide angle, would shift around in the corners with the moving sensor during a recording, and might have been too tricky to correct digitally. This is the kind of low-light prowess makes me want to grab this camera and take it everywhere, seeing just how often I can capture things in places I wouldn’t have dared to before. Instead it still hunts around far too often for focus in video mode, albeit a bit faster than the GH5. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. If only that tech could trickle down to a less premium camera model. These websites are stupid because this is primarily a VIDEO camera with a multi-aspect ratio sensor that is wider in 16:9 4K than in stills mode! And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. While the NX1's shot is certainly bright, everything else about its image shows how far ahead the GH5S is. There are two things I noticed when I first picked up the GH5S. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. Almost like having it set to native ISO. Try not to under-expose these cameras in low light. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post). The Sony mirorrless cameras do an outstanding job at this low light ISO level. blue: Didn't know age was a pre-disqualifier. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. ISO. Yes it is a shame to lose the stabilisation, but for shows like The Grand Tour on Amazon, they’ll have fewer vibration problems from the GH5s being used as a POV camera inside a car. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. For reasons beyond my understanding the cast of the theater experience was on hand as models. I need to double check the result to see what the noise reduction is doing, so take that one with a slight pinch of salt for now. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. He chose to focus on the same scene with each camera set as close to the same settings as possible. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. However, I added Luca’s NX-L speed booster to the Samsung to give it a leg up – it doesn’t compete with the others at ISO 6400 but if you take into account the exposure boost from the NX-L adapter, you can lower this to ISO 3200 and it’s much better… ISO 1600 is pretty good and ISO 800 is clean as a whistle. You can go to the next slide after 1 second. Next, with the help of some actors from Sleep No More, I took a series of shots, starting at ISO 1600 and moving up one step at a time to see how the GH5S photos handled things. If the performance changes when updated, I will re-do the test. “The Dual Native ISO Technology [with low range (400) and high range (2,500)] suppresses noise to produce cleaner footage when taken in all light. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. It has a maximum ISO of 51,200 and Panasonic showed a demonstration of this at the meeting – it’s a very good camera in low light with realistic warm tones under artificial light. GH5S Key Features: 10.2MP High Sensitivity MOS sensor for improved image quality in low light The Sony A7R III has a 42MP sensor vs just 10MP for the GH5S which makes the similar low light performance in 4K video quite mind-bending. Copyright © 2010-2020 EOSHD - Andrew Reid, The EOSHD 5D Mark III Raw Shooter’s Guide, The EOSHD Anamorphic Shooter’s Guide 2nd Edition, The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses. In other words, DPR raves about low-light video with the GH5s, but I see the potential for stills too. Building on the Panasonic Lumix GH5, the GH5S … My first comparison came between the GH5S and my everyday shooter, a Samsung NX1 (not the most up-to-date rival, I know), with both cameras set to f/2.8 at 1/40th of second on ISO 6400. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. Some of the tree detail in the test shot isn’t coming out very well on the GH5S compared to the Sony. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. What Is the Biggest Scientific Fraud of the Past 50 Years? Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. The Panasonic Lumix GH5S is designed specifically for low-light shooting and supports a number of professional recording formats, as well as the connectors that one would ideally expect. I might agree with you. Panasonic says the new Lumix GH5S is an 'superior mirrorless camera for videography, designed and developed for professional filmmakers' and it will be available from the end of January 2018 with an RRP of &beat out;2199 / €2549.99 (body only). The GH5 features a 20MP Live Mos sensor which is currently the highest resolution you can … The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. but practically a 21mm side-to-side. Download the uncompressed version here. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. The next video is filmed on a Panasonic GH5s. Sensor. Note: My camera is running firmware version 0.2! That never used to be the case with the Sony cameras. It offers a range of 160 to 51200 ISO with extended values down to 80 and up to 204800 ISO. Despite the overly-elaborate staging of the event, which felt too tightly controlled to reflect reality, I have to admit I was impressed by the photos the GH5S turned out. Really, they are quite similar for most people and I can’t see very many GH5 users getting rid of the camera so soon, losing IBIS in the process, for the more expensive GH5S. Hey Richard, thanks for the reply. One thing I do notice about the GH5S (although this is with version 0.2 firmware) was the noise reduction is a bit on the heavy side and the exposure seems a bit darker than the A7R III at the same ISO, shutter speed and aperture. The $2,500 GH5S, unlike the $2,000 GH5, features a 10.2-MP micro four-thirds sensor that captures half the resolution of its more affordable sibling in return for increased ISO performance. On the other hand, since Panasonic GH5S has 56% larger pixel area compared to Panasonic GH4, it has potential to collect more light on pixel level hence have less noise in low light / High ISO images. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. The entire range, including the extended settings, is available for stills and video.