Nevertheless, there are a lot of small details that show how much thought has gone in the design of the DC-S1H, and how much the feedback of users has been heard. Now, we will try to discover them with Carl Yates at ProAV TV who has already got his hands on this brand new camera and will tour us around for a first look. Share. Having Dual Native ISO translates into having a camera with a better low light quality. image stabilization system. How to live-stream with "LUMIX Tether for Streaming (Beta)", In this video LUMIX Ambassador Ross Grieve shows you how to set- up the "LUMIX Tether for Streaming (Beta)" software to use your compatible LUMIX as a camera for streaming. Based on footage seen so far, the S1H is the winner here to me. This choice of moving away from XQD cards will meet the favor of many of us that already own plenty of SDs, but we must note that the XQD was a great media to record to, surely tougher than the SD. Furthermore, the LUMIX S1H allows you to save your selection in a Quick Access Menu, which can store up to 12 individual sets, making it easier when working on several different projects at the same time. Posted by admin_damiendemolder. High Speed Panasonic felt like a real contender with its 4K 60fps, but the Canon R5 stomps it with a 4K 120fps shooting mode. LUMIX Ambassador Steven Clarey takes you through these options and explaining examples, such as capturing 4K/60p footage in 10 Bit on an Atomos Recorder Monitor – also to give you access to other codecs, such as ProRes HQ Just to be clear here, I’m NOT a colorist. I also recommend downloading Panasonic’s own Rec709 LUT from here. With the Lumix S1H, Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix S range. Shooting in HLG gives you the best options for delivering content for both HDR- and SDR-use. As part of the LUMIX S series, Panasonic aims to release them on the global market early 2019. These include Zebras, which allow you to identify areas of the image, that are either under- or overexposed, as well as the wave form monitor to keep your overall exposure in sight and controlled while rolling. The S1H offers a full-frame sensor with up to 6K-resolution, has a sophisticated feature-set for professional cinematographers and offers anamorphic filming. Get Instant Access! *DC-G100/G110 will also be compatible in the future. Call me crazy, but somehow it was not so easy to grade Panasonic’s S1H V-Log image. Panasonic Corporation has developed two models of its first Digital Single Lens Mirrorless camera with a 35 mm full-frame image sensor, the LUMIX S1R and the S1. Moreover, footage shot with the LUMIX S1H can be seamlessly edited with footage shot with VariCam cameras. Designed as a tool for professional filmmakers, the LUMIX S1H offers a great variety of recording options, codecs, several framerates and resolutions. The LUMIX S1H is Panasonic’s new flagship mirrorless full-frame camera that was revealed a couple of months ago at Cine Gear. Panasonic will top itself with the upcoming LUMIX S1H, but as we already know, this new filming device will come at a higher price. Filmmaker and LUMIX Ambassador Nick Driftwood guides you through the settings for shooting in Hybrid Log Gamma (HLG) on the LUMIX S1H in order to record the wide dynamic range for displaying footage on HDR-Displays. V-Log footage is often tricky to expose. on 28 August 2019. Compatible with all Panasonic V-Log cameras, including the S1H, AW-UE150 and AK-UC4000. In addition to the classic 24 frames per seconds for Cinema or 50/60 Hertz settings for broadcasting, the LUMIX S1H comes packed with Variable Frame Rate settings and even High Speed Frame rates up to 180 fps (while offering Audio recording and Autofocus) for speeding up or slowing down your sequences. Or is it? Unfortunately, that seems to be a limit of the HDMI standard. ... but the S1H changes that. The LUMIX S1H has several options via its full-size HDMI-output. He shared with us some of his thoughts about filming with this combo and editing the 12-bit ProRes RAW footage in Adobe Premiere Pro: Panasonic and Atomos were kind enough to provide us with a LUMIX S1H and Ninja V testing units with the RAW output and ProRes RAW capture enabled. This so-called Master Pedestal control either lifts the shadows or make them darker and is of great use, when either needing to sync the look in a multi-cam-set up or having to monitor live broadcast with no chance to adapt the look in post. The status screen (designed for video shooting to show your main settings and allow you to quickly change while you use an external monitor), the tally light, or the fully rotating and articulating screen that surely had pretty good engineering behind. Almost all the specs we would expect from bigger and pricier cameras have been shrunk into this small body, thus making our filmmaking workflow every day a little bit easier. To support manual focussing, the S1H offers a customizable focus peaking option, magnification up to 20x and a punch-in to adjust focus on the spot. It brings features both from the GH series and Panasonic's professional Varicam line to create the most capable video camera we've ever tested. *2 *3, it combines the video quality … Panasonic S1H Hands-On + Sample Footage Francis Joseph D'Costa September 17, 2019 Blog No Comments In the last year, a lot of rumors have been circulating about Panasonic being ready to unveil a completely new mirrorless camera, something more focused on video. These models are equipped with the world's first *1 4K 60p/50p video recording function and the Dual I.S. Timecode is a clock, that counts in frames and is natively integrated into the LUMIX S1H and GH5S. So how does the Panasonic S1H do in this regard? Designed under consistent color management, the S1H's recorded footage is compatible with V-Log footage recorded by VariCam or V-Log L footage recorded ), thus allowing great video performance, but also keeping the same photographic specs as the other models. LUMIX Ambassador Nick Driftwood explains about different Timecode settings available, shows you how to sync with Timecode and also how to tie in non-Timecode devices (such as the LUMIX S1 or LUMIX GH5) via external Timecode generators, such as the Tentacle Sync-System. In a nutshell, it seems to be almost the perfect camera: custom-designed body, Dual ISO, 6K recording, unlimited rec time, sensor stabilization… Seems too good to be true. Learn about Gamut and how SDR’s Rec.709 differs from BT2020/Rec.2020. LUMIX Ambassador, Jacob James, informs you about the various resolution options in the LUMIX range of video-centric cameras. Select from 35 conversion LUTs and artistic looks for VariCam and EVA1 cinema cameras. Panasonic's new solidly built, professional-grade camera is a handful in more ways than one. LUMIX Ambassador Jacob James introduces this format and the corresponding colour space: V-Gamut. Panasonic S1H Footage & first impressions. It provides over 14 stops of dynamic range in V-Log and an ultra-wide Gamut, which includes BT2020 and HLG (Rec.2100) for the greatest flexibility when editing. eval(ez_write_tag([[320,50],'4kshooters_net-large-leaderboard-2','ezslot_2',146,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-large-leaderboard-2','ezslot_3',146,'0','1'])); The stabilized sensor is on par with the great performances we saw in the previous iteration, as isn’t, unfortunately, the case with the onboard autofocus system. The S1H is a full-frame mirrorless camera designed with videographers in mind. DJI RS 2 and RSC 2 Get 3D Focus System Support, Remote Control for Various Cameras and More. Within the movie customisation menu of the LUMIX S1H, GH5 and GH5S, you have the option to manually set the black point of your camera. High Speed footage of up to 120fps can now be captured with active AF as well as full audio. Moreover, footage shot with the LUMIX S1H can be seamlessly edited with footage shot with VariCam cameras. He will show you how to fit a camera cage to the LUMIX S1H, how to mount a Schneider Xenon Cine lens with PL-mount and how to attach the follow focus unit. That alone puts it in a completely new league, far away from other mirrorless competitors. Lookup tables (LUTs) are files that modify an image into another image through a mathematical formula. The rumors were somehow confirmed when a few months ago Panasonic itself teased the existence of such a device. What is BT2100, “Hybrid Log Gamma” (HLG) and how to get the best image quality in HDR out of your LUMIX camera for any use. What gets clear trough this first look, however, is that the Panasonic S1H can be a game-changer for videographers all over the world. To find out more about the cookies we use or how to change your settings, please see our Cookie Policy. Panasonic LUMIX S1H - raw video news, and sample footage. If you are already grading, you might want to download 33 free LUTs from Panasonic’s site. Newark, NJ (May 31, 2019) - Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. Let’s take a closer at everything the S1H has to offer! V-Log is a logarithmic curve which describes the relationship between colour bit values and exposure. Syncing it automatically via a common timecode saves time and money. The [V-Log] curve characteristics comply with “V-Log/V-Gamut REFERENCE MANUAL Rev.1.0”. He explains Colour Depth and how filming with 10-Bit versus 8-Bit gives you much more options in post-production and in converting V-Log footage into linear profiles. As a further convenient touch, the LUT in use is displayed on the camera monitor. Jacob also shows to how connect external displays, such as the Atomos Ninja V Monitor Recorder via the S1H’s full size HDMI-out, how to secure the cable from being accidentally pulled and how to connect up to two Stereo XLR-microphones via the DMW-XLR1 Adapter. While Full Frame mode gives you the most options for post-production and highest resolution options up to 6K, Super35-mode with up to C4K-resolution is also included. According to Panasonic, the S1H’s recorded footage is compatible with V-Log footage recorded by VariCam or V-Log L footage recorded by other LUMIX cameras such as the GH5/GH5S and S1. To get this higher sensitivity, the camera’s sensor has a sensitivity switching circuit for each pixel. Framerates are an important concept to be understood even before choosing your project settings. Some Of The Most Reliable Hard Drives for Your Workflow, Shooting an Indie Feature with One Lens – The Sigma 18-35mm T2, The World’s Fastest E-Mount 15mm f/2 and Widest MFT 7.5mm f/2 Lenses from Venus Optics Announced, Sony VENICE Firmware 6.00 to Be Released on Dec 15th. What’s more, you can rotate and tilt the latter freely without the fear of moving or touching the cables connected on the side of the body. Panasonic has released the LUMIX Webcam Software (Beta) for Windows / Mac, a one-stop webcam software making it possible to use an applicable LUMIX camera as an webcam for purposes such as live streaming or video conferencing. Share this article . All you need is a USB-3-cable and the new "LUMIX Tether for Streaming (Beta)" software to feed the live preview of your LUMIX into the computer. The body, in fact, is not the same throughout the different cameras as the A7S’s and R’s are. Now, this “video-first” mirrorless has been officially announced. The Luminance Spot Meter function allows you to see the luminance value of any area of the image in order to easily adjust exposure settings to monitor the consistent values in different lighting situations or set the exposure value quickly with a reference, such as a grey card. LUMIX Ambassador Steven Clarey explains the differences of setting your exposure in increments of seconds or degrees as well as giving you insight on how shutter speed and framerate interact. From explanation of the native L-Mount-lenses to showing how to adopt the wide-spread PL-Mount-lenses to the LUMIX S1H, Jacob explains the options and when to choose which lens. DaVinci Resolve 17 + M1 Macs – Can You Edit 8K RAW in Real-Time? They will show you the in-camera settings for working with anamorphic lenses, how to adapt the Image Stabiliser for anamorphic shooting and how to de-squeeze the footage in-camera to give you a preview of the final appearance of your shots. A year into its life, the Panasonic Lumix S1H is no longer alone in terms of professional mirrorless video cameras. Meet the Panasonic LUMIX S1H and let LUMIX Ambassador Jacob James give you a short overview of the most video-centric member of the S-Series family. Meet the Panasonic LUMIX S1H and let LUMIX Ambassador Jacob James give you a short overview of the most video-centric member of the S-Series family. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! This new body promises a lot of features and details that will make our life much easier. Featuring V-LOG / V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time, the LUMIX S1H is the new full-frame mirrorless camera package that finally helps you deliver the cinematic video you've been dreaming of. But it doesn’t end there. Using V-Log will preserve the most dynamic and tonal range from a RAW-signal making it the best format to prepare for post-production. Newark, NJ (May 31, 2019) – Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. Recently, the 8K-shooting Canon EOS R5 … LUMIX Ambassador Jacob James shows you some of the options to customize the S1H, such as menus and function buttons. With this latest addition, the S lineup now consists of three cameras, each one with a specific user in mind. LUMIX Ambassador Jacob James introduces you to the exposure tools of the S1H and how to set them. See our Panasonic S1H hands-on preview for all the details! LUMIX Ambassador Steven Clarey shows you, where to set the Tally lights and also the Recording Frame indicator in the camera. Filmmaker and LUMIX Ambassador Nick Driftwood shows and explains the difference between Standard Dynamic Range and High Dynamic Range (HDR) and how to get the best quality output for Standard and HDR-Displays. We recently caught up with with director of photography Matthias Bolliger and his colorist Louise Temmesfeld to discuss the Panasonic LUMIX S1H ProRes RAW external recording capabilities on the Atomos Ninja V.In this in-depth interview, we talked about internal vs. external recording, dynamic range, ProRes RAW post-production and so on. This 6K camera was designed with filmmakers in mind. The LUMIX S1H is equipped with Tally Lights on the front and back, which can be individually switched on – or kept off There is also the possibility to set a red frame to the Viewfinder / Monitor, indicating that the LUMIX S1H is recording. For smaller file sizes, the options to record in 4:2:0 is handy, but for better colour accuracy, a 4:2:2 option is the better choice – and implemented in LUMIX S1H, S1 and GH-Series (from GH4). As I was working on producing my 4-hour master class training video for the Panasonic S1H I really enjoyed getting out a couple of times to shoot wildlife footage (mostly birds!) Filmmakers expected Panasonic to catch up on this technology as the gap between the two systems is already wide enough, Maybe the next iteration of cameras will bring the update, who knows…. virtually the same as those of the Panasonic Cinema VariCam, to precisely capture everything from dark to bright areas. It was also the first Netflix approved mirrorless camera, despite Sony having had 4K cameras available for several years prior. He will also introduce the Synchro Scan tool, which ensurs that capturing footage with flickering is minimised. He shows you how to use LUMIX V-Log View Assist to preview your Log-footage with a LUT applied, guides you though using the Luminance Spot Meter and the Waveform Monitor with the aid of a Grey Card and set the exposure values of your camera correctly. The LUMIX S1H has several options via its full-size HDMI-output. Can you imagine what we’ll get next? There are times, when you wish to also record externally to create a second file for backup purposes or for having one in another resolution. The Panasonic S1H is the GH5 of full-frame mirrorless cameras. 6K Pre-Burst mode is useful for short bursts of action because it only records for 2 seconds. To be fair, it’s limited to a 4:2:0 color sampling that becomes 4:2:2 if you go down to 4K, but still it’s a 10-bit 6K recording at less than $4K! **24p/180 fps Order Links:eval(ez_write_tag([[320,50],'4kshooters_net-leader-1','ezslot_6',147,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-leader-1','ezslot_7',147,'0','1'])); Panasonic Lumix DC-S1H Mirrorless Digital Camera (B&H, Amazon). LUMIX ambassador Nick Driftwood takes you on a tour through LUMIX S1H’s tools to give you hand in setting your exposure correctly in V-Log. Compatible LUMIX models: DC-GH5, DC-G9, DC-GH5S, DC-S1, DC-S1R, DC-S1H, Apple ProRes RAW Output with ATOMOS Ninja V. The Panasonic LUMIX S1H and ATOMOS Ninja V are getting Apple ProRes RAW recording capability — and LUMIX Ambassador, PhotoJoseph is here to offer a sneak peek of it. Keep in mind that if you plan on using the HDMI port for recording, you’ll find that the signal will cap at 4K. Yesterday, in Hollywood, I had the chance to get some hands-on time with the new full-frame Panasonic Lumix S1H mirrorless camera. As a direct consequence of the improved cooling, the camera doesn’t have a recording limit. The sensor has a higher MP count and a few features are useful in still photography. Jacob shows you the relationship of V-Gamut to other colour profiles, such as Rec.709, Rec.2020 or Rec.2100, ensuring compatible to your destination project format or colour space. Photographers and filmmakers traditionally have different ways to determine the exposure of images, which results in having different terminology and handling. The S1-R, on the other hand, is dedicated to photographers. The Panasonic LUMIX S1H is pretty similar to the LUMIX S1 in terms of photo capabilities. Yates did not even talk of the native dual ISO or the anamorphic de-squeeze. The list of features is endless, and in a first hands-on we have to gloss over so many. It's a compact and affordable package if judged according to the standard of its broadcast-grade footage. Manual lenses can be registered in the camera and get an individual stabilisation profile assigned. As manufacturers will start adopting the HDMI 2.1 (that supports up to 10K 120fps) we will have to make do with this limitation. LUMIX Ambassador Jacob James shows you the differences of using native autofocus lenses and manual cine primes. In 6K Burst mode the Panasonic S1H shoots 6K footage for as long as you hold down the shutter release button. The DC-S1 is the hybrid multi-purpose camera for those whose work dwells in both photo and video and need to be good in either one. eval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_8',145,'0','0'])); The file is a Long GOP with a bitrate of 200MB/s, the same we’ve seen in other Panasonic cameras, but is only available if shooting internally. eval(ez_write_tag([[320,50],'4kshooters_net-box-3','ezslot_4',143,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-box-3','ezslot_5',143,'0','1']));In the last year, a lot of rumors have been circulating about Panasonic being ready to unveil a completely new mirrorless camera, something more focused on video. Last week, Panasonic figuratively blew the doors off its competition in the pro video space with the introduction of the Lumix S1H. LUMIX S1H Introduction. Finally, the DC-S1H closes the circle bringing a specific product for video-shooters. For an easy overview, the LUMIX S1H comes equipped with a dedicated menu option: The recording mode filter. As a further convenient touch, the LUT in use is displayed on the camera monitor. In 6K Burst (S/S), S/S stands for Start/Stop and recording is started and ended with a press of the shutter release. It is the industry standard way to sync material coming from different sources. To round it off, Jacob shows you some options for extra peace of mind such as a battery lock and caution system, a tripod screw with pin stop to prevent rotation and software features such as loop recording to not miss a moment and segmented file recording to prevent data loss. The S1H brings the features and feel of Panasonic's GH series to the L-mount full-frame system. The controls, the interface and certainly the hardware have been built for video and cinematography, and the fact it’s also … This can for example be a Multi-Camera-Setup or simply one camera and externally recorded audio. OK, Categories | Introduction | Recording Options | Expanding the setup | Exposure | Sensitivity/HLG | Shooting with V-Log | Others | Software Update | Firmware Update. Panasonic mirrorless camera Panasonic S1H. ... the S1H can also record 4:3 anamorphic footage … LUMIX Ambassador, Steven Clarey, explains the differences of PAL-, NTSC- and Cinema-settings. It can help while grading the footage. Finally, the announcement came, and we now have a new full-frame mirrorless camera, specifically aimed at video professionals – the DC-S1H. with the camera as I got to know it better and learn it's strengths and weaknesses. By this, LUTs do the job of translating V-Log footage into the final look for your project. Follow the explanation from LUMIX Ambassador Steven Clarey about Dual Native ISO and see, how the great Low Light sensitivity in LUMIX S1H and GH5S are achieved. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K. A Vienna-based filmmaker Tamás Kiss did the test. The S1H is much beefier, it has a completely different cooling system (with vents! A week or so ago Panasonic announced the full specifications, pricing, and availability of their flagship full-frame mirrorless LUMIX S1H in Hollywood. Codecs offer up to 400 Mbit/s and are either All-intra or Long-GOP. Panasonic’s contrast-based AF is still quite far from the quality and speed of phase-detection AF seen on Canon or Sony systems. Create emotional slow-motion footage of up to 30x normal speed (30p/2 fps) *24p/60 fps. Well, in all honesty, the footage is clean, nice and have A LOT going for it, but to me personally, footage looks-wise, it is very similar to Panasonic S1. Compatible models: DC-S1H, DC-S1R, DC-S1, DC-S5, DC-GH5S, DC-GH5, DC-G9 Our website uses cookies and similar tools to improve its performance and enhance your user experience and by continuing to use this website without changing your settings, you consent to their use. You'll see how to enable Apple ProRes RAW output and recording, what resolutions and framerates in both NTSC and PAL are supported, and learn some hints on how to expose when shooting Apple ProRes RAW. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K. In this video, LUMIX Ambassador Jacob James will explain monitoring, transformation and creative LUTs and how to use them. Then, you'll see in Final Cut Pro X how easy it is to recover a 4+ stops overexposed shot, and how to manage both HDR and SDR editing from Apple ProRes RAW files. Sounds complicated? He also introduces you to the L-Mount with its short flange back to be ultimately friendly for connection of all kinds of lenses. LUMIX Ambassador Jacob James explains the choice of containers, sensor modes, resolution and aspect ratio settings. The second important factor in colorimetry is chroma subsampling, indicating how a camera interprets colour on a pixel base. The LUMIX S1H provides a full spectrum of recording formats: From HD/180fps to 6K high resolution. Matthew Allard ACS 9th Sep 2019. The S1H offers a full-frame sensor with up to 6K-resolution, has a sophisticated feature-set for professional cinematographers and offers anamorphic filming. In this video, Panasonic LUMIX Ambassador and filmmaker, Jacob James, guides you through some 3rd party accessories. The color and even the texture of human skin are faithfully reproduced. LUMIX Ambassadors Jacob James and Steven Clarey explain the differences between spherical and anamorphic lenses and how the lens choice affects the look of the footage. V-Log is a flat format and needs interpretation and adjustment to get the final colour appearance. This allows you to pre-select various project settings, such as framerate, resolution, codec and Hybrid Log Gamma and will then show only the matching recording modes. *DC-G100/G110 will also be compatible in the future. Producing professional video oftentimes requires more than a capture device. The big boasting feature that probably caught everyone’s eye is the 10-bit 6K recording. eval(ez_write_tag([[320,50],'4kshooters_net-box-4','ezslot_0',144,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-box-4','ezslot_1',144,'0','1'])); This approach of dividing the lineup may seem similar to what Sony was doing with the Alpha series, but Panasonic actually went down a very different route. With the S1H the XDQ slots are gone in favor of a more universally accepted SD card slot. LUMIX Ambassador Steven Clarey takes you through these options and explaining examples, such as capturing 4K/60p footage in 10 Bit on an Atomos Recorder Monitor – also to give you access to other codecs, such as ProRes HQ.